In 2016, my practice flowed through a family of series: Lumenpear, Skyhull, and Seedpod. Together, it was an integration of pear, boat, and seed forms with various imaginings, lit from within. They seemed to me a sort of organic architecture, radiating goodwill: perched on table tops, alighting on walls, floating in mid-air.
I love working this way, making along similar imaginative streams with the same set of materials, processes, and techniques. Not only do the streams intermingle, I get to go deep into a way of making. Lots of room in the mix of familiar and unknown for sculptural play.
Below, you'll find posts on the this work as I wafted back and forth between the streams, with the most recent pieces at the top.